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- – Arendt on Evil – Exploring the German Philosopher Hanna Arendt’s Philosophy of the Nature of Human Evil
- Generational Time Told – Breitling’s Chronomat B01 Watch (Corporate Propaganda Study Paper)
- “ – Have I Been Understood? – Dionysos Against the Crucified…” – Exploring the thought, impact and proposed Asymmetrical Challenge of F. Nietzsche as Explored Through the Kierkegaardian ‘either/or’ and the Hegelian Dialectical ‘both’, with Reference to Historically Liberal & Conservative forms of the Christianity
- The Curse of Tobit – A Narrative Analysis with Reference to the Hermeneutical Questions of Inerrancy vs. Authority in Regards to the Discursive Truth-Telling Potency of Mythology and its Corresponding Interpretive Import in the Apocryphal Book of Tobit
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Tag Archives: transformational love monster
Metanarrational Monsters, Part Two – Transformational Love Monster
Archetype One – Transformational-Love Monster Shrek: Fiona? Are you all right? [Fiona looks at herself, and sees she is still an ogre] Princess Fiona: Yes. But, I don’t understand. I’m supposed to be beautiful. Shrek: But you … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Horror (Classic), Philosophy Studies, Propaganda Studies, Transformational Love Monster Archetype
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Tagged Against Love, beauty and the beast, Bella Lugosi’s The Invisible Ghost [1941], Chrono Cross, Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, film studies, Frankenstein, horror movies, I would do anything for love, Jeff Buckley’s song Hallelujah, Laura Kipnis, Love themes, meatloaf, message movies, movie metanarratives, mummy, Philip Glass’ 1946 opera La Belle et la Bête, shrek, The Mummy [1959], thematic propaganda, transformational love monster, Vampire mythology, vampires, wolf man, Zombies
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