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- “ – Have I Been Understood? – Dionysos Against the Crucified…” – Exploring the thought, impact and proposed Asymmetrical Challenge of F. Nietzsche as Explored Through the Kierkegaardian ‘either/or’ and the Hegelian Dialectical ‘both’, with Reference to Historically Liberal & Conservative forms of the Christianity
- The Curse of Tobit – A Narrative Analysis with Reference to the Hermeneutical Questions of Inerrancy vs. Authority in Regards to the Discursive Truth-Telling Potency of Mythology and its Corresponding Interpretive Import in the Apocryphal Book of Tobit
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Tag Archives: Against Love
Metanarrational Monsters, Part Three – Wolfman: Fear of the Unrestraineable Nature of Oneself
(Part 3 of 8) Archetype Two: Wolfman – Fear of the Unrestraineable Nature of Oneself David: I’m a werewolf. Alex: Are you all right? David: I don’t know, I’ll let you know the next full moon. -An American Werewolf … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Horror (Classic), Philosophy Studies, Propaganda Studies, Wolfman
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Tagged Against Love, An American Werewolf in London, Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, Feminine Essence, film studies, Frankenstein, Grimm Fairy Tales, horror movies, Hypertrichosis, King Lycaeon, Love themes, Lycanthropy, message movies, movie metanarratives, mummy, Ovid, Phineas Gage, Rotkäppchen, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, Stephen King’s Silver Bullet, The Brothers Grim, The Wolf Man, thematic propaganda, Vampire mythology, vampires, wolf man, writer/director Curt Siodmak, Zombies
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Metanarrational Monsters, Part Two – Transformational Love Monster
Archetype One – Transformational-Love Monster Shrek: Fiona? Are you all right? [Fiona looks at herself, and sees she is still an ogre] Princess Fiona: Yes. But, I don’t understand. I’m supposed to be beautiful. Shrek: But you … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Horror (Classic), Philosophy Studies, Propaganda Studies, Transformational Love Monster Archetype
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Tagged Against Love, beauty and the beast, Bella Lugosi’s The Invisible Ghost [1941], Chrono Cross, Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, film studies, Frankenstein, horror movies, I would do anything for love, Jeff Buckley’s song Hallelujah, Laura Kipnis, Love themes, meatloaf, message movies, movie metanarratives, mummy, Philip Glass’ 1946 opera La Belle et la Bête, shrek, The Mummy [1959], thematic propaganda, transformational love monster, Vampire mythology, vampires, wolf man, Zombies
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