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- “ – Have I Been Understood? – Dionysos Against the Crucified…” – Exploring the thought, impact and proposed Asymmetrical Challenge of F. Nietzsche as Explored Through the Kierkegaardian ‘either/or’ and the Hegelian Dialectical ‘both’, with Reference to Historically Liberal & Conservative forms of the Christianity
- The Curse of Tobit – A Narrative Analysis with Reference to the Hermeneutical Questions of Inerrancy vs. Authority in Regards to the Discursive Truth-Telling Potency of Mythology and its Corresponding Interpretive Import in the Apocryphal Book of Tobit
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Category Archives: Wolfman
Metanarrational Monsters, Part Three – Wolfman: Fear of the Unrestraineable Nature of Oneself
(Part 3 of 8) Archetype Two: Wolfman – Fear of the Unrestraineable Nature of Oneself David: I’m a werewolf. Alex: Are you all right? David: I don’t know, I’ll let you know the next full moon. -An American Werewolf … Continue reading →
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Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Horror (Classic), Philosophy Studies, Propaganda Studies, Wolfman
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Tagged Against Love, An American Werewolf in London, Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, Feminine Essence, film studies, Frankenstein, Grimm Fairy Tales, horror movies, Hypertrichosis, King Lycaeon, Love themes, Lycanthropy, message movies, movie metanarratives, mummy, Ovid, Phineas Gage, Rotkäppchen, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, Stephen King’s Silver Bullet, The Brothers Grim, The Wolf Man, thematic propaganda, Vampire mythology, vampires, wolf man, writer/director Curt Siodmak, Zombies
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