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Tag Archives: Classic horror cinema
Metanarrational Monsters, Part Eight – Concluding Thoughts: A Propaganda of Fear – To Understand Our Society, We Must Understand What It Fears and How it Sells the Fears Thereof.
Part 8 of 8 Concluding Thoughts: A Propaganda of Fear – To Understand Our Society, We Must Understand What It Fears and How it Sells the Fears Thereof. “The oldest and strongest emotion of mankind is fear, … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Horror (Classic), Philosophy Studies, Propaganda Studies
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Tagged Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, film studies, Frankenstein, horror movies, Love themes, message movies, movie metanarratives, mummy, thematic propaganda, Vampire mythology, vampires, wolf man, Zombies
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Metanarrational Monsters, Part Seven – Zombies: Fear of the loss of Existential authenticity and apocalyptic Endings
Part 7 of 8 Archetype Six: Zombies – Fear of the loss of Existential authenticity and apocalyptic Endings “I don’t know what’s happening to me. I’m not alive. I’m not dead. I’m just…I’m just so lonely.” – Julie, … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Horror (Classic), Philosophy Studies, Propaganda Studies, Uncategorized, Zombie Archetype & Apocalyticism/Dystopicism Studies
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Tagged Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, film studies, Frankenstein, horror movies, Love themes, message movies, movie metanarratives, mummy, thematic propaganda, Vampire mythology, vampires, wolf man, Zombies
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Metanarrational Monsters – Part Six, Frankenstein: Fear of Unrestrained and Abused Science
Part 6 of 8 Archetype Five: Frankenstein – Fear of Unrestrained and Abused Science “It’s Aaaaaaliiiiivvvvvve!?! It’s Alive!!! It’s Alive!!!” – Prototypical comment by Frankenstein’s creator, spoken the moment of his creation’s resurrection; a line that is almost … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Frankenstein, Horror (Classic), Philosophy Studies, Propaganda Studies
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Tagged Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, film studies, Frankenstein, horror movies, Love themes, message movies, movie metanarratives, mummy, thematic propaganda, Vampire mythology, vampires, wolf man, Zombies
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Metanarrational Monsters, Part Five – Vampires: Blood, Addiction, Sex, and Drama Queens
part 5 of 8 Archetype Four: Vampires – Blood, Addiction, Sex, and Drama Queens Oscar: “Are you a vampire?” Eli: “Would you like me anyway?” Oscar: “Will you be my girlfriend?” – Oscar and Eli in Let The Right … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Horror (Classic), Philosophy Studies, Propaganda Studies, Vampire Mythology
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Tagged Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, film studies, Frankenstein, horror movies, Love themes, message movies, movie metanarratives, mummy, thematic propaganda, Vampire mythology, vampires, wolf man, Zombies
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Metanarrational Monsters, Part Four – Mummy: Fear of the Past
Part 4 of 8 Archetype Three: Mummy – Fear of the Past For a moment – an eternity it must have seemed to the others – I was struck dumb with amazement, and when Lord Carnarvon, unable to stand the … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Horror (Classic), Philosophy Studies, Propaganda Studies, The Mummy
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Tagged Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, film studies, Frankenstein, horror movies, Howard Carter, King Tut's tomb, Lord Carnarvon, Love themes, message movies, movie metanarratives, mummy, thematic propaganda, Vampire mythology, vampires, wolf man, Zombies
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Metanarrational Monsters, Part Three – Wolfman: Fear of the Unrestraineable Nature of Oneself
(Part 3 of 8) Archetype Two: Wolfman – Fear of the Unrestraineable Nature of Oneself David: I’m a werewolf. Alex: Are you all right? David: I don’t know, I’ll let you know the next full moon. -An American Werewolf … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Horror (Classic), Philosophy Studies, Propaganda Studies, Wolfman
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Tagged Against Love, An American Werewolf in London, Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, Feminine Essence, film studies, Frankenstein, Grimm Fairy Tales, horror movies, Hypertrichosis, King Lycaeon, Love themes, Lycanthropy, message movies, movie metanarratives, mummy, Ovid, Phineas Gage, Rotkäppchen, Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson, Stephen King’s Silver Bullet, The Brothers Grim, The Wolf Man, thematic propaganda, Vampire mythology, vampires, wolf man, writer/director Curt Siodmak, Zombies
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Metanarrational Monsters, Part Two – Transformational Love Monster
Archetype One – Transformational-Love Monster Shrek: Fiona? Are you all right? [Fiona looks at herself, and sees she is still an ogre] Princess Fiona: Yes. But, I don’t understand. I’m supposed to be beautiful. Shrek: But you … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Horror (Classic), Philosophy Studies, Propaganda Studies, Transformational Love Monster Archetype
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Tagged Against Love, beauty and the beast, Bella Lugosi’s The Invisible Ghost [1941], Chrono Cross, Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, film studies, Frankenstein, horror movies, I would do anything for love, Jeff Buckley’s song Hallelujah, Laura Kipnis, Love themes, meatloaf, message movies, movie metanarratives, mummy, Philip Glass’ 1946 opera La Belle et la Bête, shrek, The Mummy [1959], thematic propaganda, transformational love monster, Vampire mythology, vampires, wolf man, Zombies
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Moneyed Monster Metanarratives: Selling The Monsters Within – An Exploration of Existential & Cultural Metanarrational Archetypes and Their Use in Modern Movie Marketing & Propaganda
Introduction, Part 1 of 8 The core thesis of this essay is that many horror films and stories relate back to an understanding of existential[1] and cultural meta-narratives, or the ‘big ideas’ behind the respective stories that they each seek … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Frankenstein, Horror (Classic), Philosophy Studies, Propaganda Studies
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Tagged Classic horror cinema, cultural control, cultural metannarratives, dracula, existential, fear, fear metanarratives, film studies, Frankenstein, horror movies, Love themes, message movies, movie metanarratives, mummy, plot incident, Robert McKee, thematic propaganda, Vampire mythology, vampires, wolf man, Zombies
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