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- Windows to a Weltanschauung Exploring the Dichotomies of Theological Liberalism/Conservatism through the Modern/Postmodern ‘Windows’ of History, Truth, Self, and Reason
- – Arendt on Evil – Exploring the German Philosopher Hanna Arendt’s Philosophy of the Nature of Human Evil
- Generational Time Told – Breitling’s Chronomat B01 Watch (Corporate Propaganda Study Paper)
- “ – Have I Been Understood? – Dionysos Against the Crucified…” – Exploring the thought, impact and proposed Asymmetrical Challenge of F. Nietzsche as Explored Through the Kierkegaardian ‘either/or’ and the Hegelian Dialectical ‘both’, with Reference to Historically Liberal & Conservative forms of the Christianity
- The Curse of Tobit – A Narrative Analysis with Reference to the Hermeneutical Questions of Inerrancy vs. Authority in Regards to the Discursive Truth-Telling Potency of Mythology and its Corresponding Interpretive Import in the Apocryphal Book of Tobit
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Category Archives: Vampire Mythology
Metanarrational Monsters, Part Five – Vampires: Blood, Addiction, Sex, and Drama Queens
part 5 of 8 Archetype Four: Vampires – Blood, Addiction, Sex, and Drama Queens Oscar: “Are you a vampire?” Eli: “Would you like me anyway?” Oscar: “Will you be my girlfriend?” – Oscar and Eli in Let The Right … Continue reading →
Posted in Cinema Studies, Cultural Mythology, Dystopicism & Fear, Existentialism, Horror (Classic), Philosophy Studies, Propaganda Studies, Vampire Mythology
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Tagged Classic horror cinema, cultural control, cultural metannarratives, dracula, fear, fear metanarratives, film studies, Frankenstein, horror movies, Love themes, message movies, movie metanarratives, mummy, thematic propaganda, Vampire mythology, vampires, wolf man, Zombies
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